This cast was sublime together. Each dancer made their talent known and committed to each gesture, pose, slide, lift, etc. I am floored by their execution of this narrative. The timing of their lip syncing to the narrator’s lines was spot on each time. That gave me so much relief to see because I knew I could relax into the intensity of the story rather than trying to understand why the performers were moving their mouths. If I could go back and rewatch this, I would have screamed “Shantay, you stay” to each performer (Drag Race reference, if you were wondering).
Specifically, I’m so glad I got to see Cindy Salgado, Jermaine Spivey, Ella Rothschild and Doug Letheren. I have been fortunate enough to take classes with each of these amazing humans, and getting to watch them work through this show was such a treat. Doug was the first person who introduced me to the training of Gaga and the first teacher to help me understand how to stand on one foot. His performance as Director of the Complex was comically excellent.
Let’s talk about lighting. One of the most memorable moments for me was when the lighting was so quick that it made the dancers look like they were creating stop motion with their bodies. It threw me completely off guard because of the delicacy that the dancers used to time out the lighting shifts. Such genius. As well, the backdrop played with digital drawings that resembled a computer screensaver. The brushes of light would fade in and out as the dancers moved, almost in coordination it seemed.
All in all, if you are looking for a little bit of everything, go see this show. It is so well-rounded. With the addition of playwright Jonathon Young, who developed the story so effortlessly to fit the ideology of Crystal Pite’s movement, my theatre juices were bubbling the entire time. He has worked with her as a performer before so seeing what he can do with his words was awesome! I really admire when creators involve storyline into their work. It was so mesmerizing. I had to remind myself to stop moving my head so much because I kept being entranced by the dancers. My inner thighs remained engaged for the whole 90 mins.
Thank you Kidd Pivot! You are constantly a Canadian masterpiece in my mind!